We have all experienced the moment where we come face to face with our inner Drama Queen. When her warped perspective meets her powerful expression there is little we can do to stop her. She shines in all her glory. She is like a runaway train, gaining speed with every hyperbole, building force with every gesture, gathering spectators with every scandalous embellishment. She is compelling. She is passionate. She is unleashed and she is fiery.
It is rare to encounter our Drama Queen when things are ok. Typically, she comes out when there is a problem. For me, she emerges in my tiredness, my stress, my moments of pressure. She can also appear when we are jealous, insecure, impatient, afraid, hurt or offended. She rises on the wings of our weaknesses and is fuelled by the reward of emotional release. She is the one inside all of us who loves to vent. To spread the news far and wide. To raise the eye brows of onlookers, and elicit oooohs and aaaaaahs from the crowd. She loves to receive a hug of support, a vote of confidence, words of supportive pity, the of adoration of her audience.
All the Drama Queen wants is her stage. She loves nothing more than to capture the attention of the crowd. Then she has them mesmerised, captivated, as she puts on yet another stellar performance. She will hold any one and every one, as tightly as she can, for as long as she can. Whenever our inner Drama Queen rears her head she is a force to be reckoned with.
It would be easy to admonish that Queen, to shout her down with rotten tomatoes being thrown from the front rows. At the height of her show, she is abhorrent. She is self-seeking, indulgent, immature, and unbalanced. She has little regard for her fellow cast members in life. Her only concern is to satisfy her impulsive, fleeting whims with the accolades of others.
I have heard many a speaker, preacher, therapist and coach advise us to do away with the Drama Queen, because she has the potential to destroy us and everything we hold dear. But I think there is more to it.
In 2005 I had the privilege of working in a Steiner school as part of my primary teacher training. This was an experience unlike any other, and one that I will treasure until the day I die. The children there had lots in common with children elsewhere. They laughed, played, learned like other kids. They played up and misbehaved like other kids too. But overall they were happier, and generally more content. When things went awry, it seemed that they were able to get back on track more quickly than many of the other children I knew, and with less fuss.
The difference was not in their behaviour or their needs, but rather the response they received when they acted out. Instead of labelling the child, or even the behaviour, as ‘bad’, or ‘naughty’, or ‘requiring punishment’, it was assumed the child simply had a need that was not being met. The approach taken by teachers and other caretakers was built on the belief that the child was inherently good, that they had an innate ability to learn and grow, and a core desire to function successfully in their society. Most of all, it was understood that each child needed support and nurturing to guide them through their journey towards a free and powerful adulthood. The adults in the school community helped the students by providing them with emotional support, sharing words of wisdom, and by allowing safe but authentic, real-life consequences to result from their undesirable behaviour. Steiner schooling is described as “educating towards freedom.” Over time, these beautiful Steiner students learn how to identify and nurture their own emotional needs, which empowers them to define, express and enlarge their identity with loving, respectful liberty.
If we became more attuned to our inner selves, we might just realise that when our Drama Queen is acting out, there might be more to it than bad behaviour worthy or punishment or rebuke. We don’t need to be so harsh on ourselves. What if we started assuming that the behaviours we demonstrate in our worst moments are not because we are bad people, but they actually show us we have needs that have not been met yet? What if we treated ourselves with compassion, nurturing, and forgiveness when we act out? What if we started learning how to identify and nurture our own emotional needs? This is how we become empowered to define, express and enlarge our own identity with loving, respectful liberty.
We also don’t need to let that Drama Queen take over. Our inner Drama Queen must always be managed. She certainly can be destructive, and if you let her, she will steal the show. The short term pleasure that she brings might feel like freedom. However, when this fleeting feeling has passed, we realise that the Drama Queen is a part of ourselves that has no long term investment into our best interests.
There is a balancing act to perform here, because the Drama Queen needs to be handled with caution, but she should not be written out of the show altogether. She does have value. If we write her a cameo spot amidst the scenes of our life, we will be able to receive the messages she has for us. On our journey towards freedom we need to be able to perceive the unmet needs that motivate our worst moments. Our Drama Queen can show us the hurts that create pain, the insecurities that undermine love, the fears that prevent investment, the weaknesses that cause us to buckle. When our inner Drama Queen has the spotlight, we can see the barriers to our liberty. The performance of the Drama Queen itself is not liberty, but if we take care of her, and give her that cameo moment in the sun, she can illuminate wide open pathways to freedom that come from healing, forgiveness, acceptance and self-love.
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